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TITLE
'A Summer in Skye' (3)
EXTERNAL ID
AB_LL_ALEXANDER_SMITH_03
DISTRICT
Skye
OLD COUNTY/PARISH
INVERNESS
DATE OF RECORDING
2008
PERIOD
2000s
CREATOR
Alexander Smith
SOURCE
Am Baile
ASSET ID
1228
KEYWORDS
audio
literary landscapes

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This audio extract is from 'A Summer in Skye' by Alexander Smith, first published in 1865. It is read here by Norman Newton.

'The Celt has not yet subdued nature. He cannot be sportive for the fear that is in his heart. In his legends there is no merry Puck, no Ariel, no Robin Goodfellow, no half-benevolent/half-malignant Brownie even. These creatures live in imaginations more emancipated from fear. The mists blind the Celt on his perilous mountain-side, the sea is smitten white on his rocks, the wind bends and dwarfs his pine wood; and as Nature is cruel to him and as his light and heat are gathered from the moor and his most plenteous food from the whirlpool and the foam, we need not be surprised that few are the gracious shapes that haunt his fancy.

Let us then to Skye this summer, to the misty, mystical, magic isle in the northern sea. But as any tale must have a beginning, so must my journey and it begins in the city wherein I live and work - the captial city of Scotland, Edinburgh.'

Alexander Smith was a prolific mid-Victorian poet and essayist, who worked hard at his literary trade without ever quite attaining the success to which he aspired.

Smith was born in Edinburgh on 31st December 1829 and was self-educated, following his father in the textile trade until, in 1853, a collection of poems originally appearing in 'The Critic' periodical as 'A Life Drama' was published to much acclaim from the Scottish literati and gained him the post of Secretary of the University of Edinburgh in 1854.

After the publication of 'Poems' (1853) Smith collaborated with Sydney Dobell on a jingoistic contribution on the Crimean War, 'Sonnets on the War' (1855). This attracted further criticism and in 'City Poems' (1857) Smith tried to lighten his tone, producing some of his best work. Unfortunately accusations of plagiarism produced further negative reviews.

Alexander Smith married Flora Macdonald at Ord House in Skye in 1857 - she was distantly related to Bonnie Prince Charlie's rescuer. They returned to Skye every August for the next nine years, until Smith's death from typhus on 5th January 1867. He suffered from poor health for the last two years of his life and was in a debilitated state when struck down by typhus.

Simon Berry, in the 'Oxford Dictionary of National Biography' (2004), says that:

The annual month's retreat on Skye allowed his psychological defences
against urban pressures to be lowered. His creative, dionysian side fed
on the unpredictable and irrational features of the island: the sudden
contrasts of storm and calm, the semi-surrealistic mountain shapes and
colours, the superstitions and fantastic tales of its inhabitants. All these
went into 'A Summer in Skye', making it a fascinating hotchpotch of
travelogue and speculation with no obvious models. In the same way
as Scott's poetry had drawn visitors to Perthshire earlier in the century,
so Smith's work (allied to the growth in the railway network) benefited
the west highland tourist trade.

'A Summer in Skye' has been twice reprinted in recent times in an edited and much abridged edition, but Alexander Smith's poetry remains to be rediscovered by modern readers.

There is a useful introduction in the abridged 1983 reprint of 'A Summer in Skye' by William F. Laughlan. Smith's father-in-law Charles Macdonald is identified as 'M'Ian of Ord' and Kenneth Macleod of Greshornish is 'the Landlord', but other characters mentioned remain to be identified.

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'A Summer in Skye' (3)

INVERNESS

2000s

audio; literary landscapes

Am Baile

Literary Landscapes: Alexander Smith

This audio extract is from 'A Summer in Skye' by Alexander Smith, first published in 1865. It is read here by Norman Newton.<br /> <br /> 'The Celt has not yet subdued nature. He cannot be sportive for the fear that is in his heart. In his legends there is no merry Puck, no Ariel, no Robin Goodfellow, no half-benevolent/half-malignant Brownie even. These creatures live in imaginations more emancipated from fear. The mists blind the Celt on his perilous mountain-side, the sea is smitten white on his rocks, the wind bends and dwarfs his pine wood; and as Nature is cruel to him and as his light and heat are gathered from the moor and his most plenteous food from the whirlpool and the foam, we need not be surprised that few are the gracious shapes that haunt his fancy. <br /> <br /> Let us then to Skye this summer, to the misty, mystical, magic isle in the northern sea. But as any tale must have a beginning, so must my journey and it begins in the city wherein I live and work - the captial city of Scotland, Edinburgh.'<br /> <br /> Alexander Smith was a prolific mid-Victorian poet and essayist, who worked hard at his literary trade without ever quite attaining the success to which he aspired.<br /> <br /> Smith was born in Edinburgh on 31st December 1829 and was self-educated, following his father in the textile trade until, in 1853, a collection of poems originally appearing in 'The Critic' periodical as 'A Life Drama' was published to much acclaim from the Scottish literati and gained him the post of Secretary of the University of Edinburgh in 1854.<br /> <br /> After the publication of 'Poems' (1853) Smith collaborated with Sydney Dobell on a jingoistic contribution on the Crimean War, 'Sonnets on the War' (1855). This attracted further criticism and in 'City Poems' (1857) Smith tried to lighten his tone, producing some of his best work. Unfortunately accusations of plagiarism produced further negative reviews.<br /> <br /> Alexander Smith married Flora Macdonald at Ord House in Skye in 1857 - she was distantly related to Bonnie Prince Charlie's rescuer. They returned to Skye every August for the next nine years, until Smith's death from typhus on 5th January 1867. He suffered from poor health for the last two years of his life and was in a debilitated state when struck down by typhus.<br /> <br /> Simon Berry, in the 'Oxford Dictionary of National Biography' (2004), says that:<br /> <br /> The annual month's retreat on Skye allowed his psychological defences<br /> against urban pressures to be lowered. His creative, dionysian side fed<br /> on the unpredictable and irrational features of the island: the sudden<br /> contrasts of storm and calm, the semi-surrealistic mountain shapes and<br /> colours, the superstitions and fantastic tales of its inhabitants. All these<br /> went into 'A Summer in Skye', making it a fascinating hotchpotch of<br /> travelogue and speculation with no obvious models. In the same way<br /> as Scott's poetry had drawn visitors to Perthshire earlier in the century,<br /> so Smith's work (allied to the growth in the railway network) benefited<br /> the west highland tourist trade.<br /> <br /> 'A Summer in Skye' has been twice reprinted in recent times in an edited and much abridged edition, but Alexander Smith's poetry remains to be rediscovered by modern readers.<br /> <br /> There is a useful introduction in the abridged 1983 reprint of 'A Summer in Skye' by William F. Laughlan. Smith's father-in-law Charles Macdonald is identified as 'M'Ian of Ord' and Kenneth Macleod of Greshornish is 'the Landlord', but other characters mentioned remain to be identified.