Ùrachadh mu Dheireadh 15/08/2017
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TIOTAL
Iain Friseal, Gobha Inbhir Nis (22 de 39)
EXTERNAL ID
GB1796_SINCLAIR_SILVERSMITH_22
ÀITE
Inbhir Nis
SIORRACHD/PARRAIST
INBHIR NIS: Inbhir Nis 's Am Bànath
LINN
1970an
CRUTHADAIR
John Fraser
NEACH-FIOSRACHAIDH
Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis
AITHNEACHADH MAOINE
2246
KEYWORDS
seudraidh
seudan
neach-ceàirde
luchd-ciùird
obair meatailt
gobhaichean-airgid
gràbhaileadh
claistinneach

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Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.

Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' beachdachadh air na buannachdan agus na h-easbhaidhean mu bhith a' dèanamh cumaidhean le gainmheach. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal - bràiste Clann Fhriseil leis an t-suaicheantas 'Je suis prest' (Tha mi deiseil).

'A lot would depend on the preparation you made. If you made good - if you were good at the preparation of the sand and so forth you would get a fairly clean casting; if you weren't, you would get a pretty rough casting. But, what they relied on in those days was that, if the casting was rough or that, nobody seemed to bother because it was put into the hands of the engraver and he would remodel; anything that was missing he'd put it back in. You didn't have so much shrinkage as you would have in centrifugal casting. You almost got the same thing as you had, but with a lack of detail at the front. If the detail was in the front then you would have odd bits and pieces that didn't come up, but you'd have enough knowledge as an engraver to go and put that back in. And of course the time was - time was no object, you see? If the engraver spent half an hour re- touching the whole thing up, nobody worried'

Airson stiùireadh mu bhith a’ cleachdadh ìomhaighean agus susbaint eile, faicibh duilleag ‘Na Cumhaichean air Fad.’
’S e companaidh cuibhrichte fo bharantas clàraichte ann an Alba Àir. SC407011 agus carthannas clàraichte Albannach Àir. SC042593 a th’ ann an High Life na Gàidhealtachd.
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Iain Friseal, Gobha Inbhir Nis (22 de 39)

INBHIR NIS: Inbhir Nis 's Am Bànath

1970an

seudraidh; seudan; neach-ceàirde; luchd-ciùird; obair meatailt; gobhaichean-airgid; gràbhaileadh; claistinneach

Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis

Bill Sinclair Audio: John Fraser, Silversmith

Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.<br /> <br /> Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' beachdachadh air na buannachdan agus na h-easbhaidhean mu bhith a' dèanamh cumaidhean le gainmheach. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal - bràiste Clann Fhriseil leis an t-suaicheantas 'Je suis prest' (Tha mi deiseil).<br /> <br /> 'A lot would depend on the preparation you made. If you made good - if you were good at the preparation of the sand and so forth you would get a fairly clean casting; if you weren't, you would get a pretty rough casting. But, what they relied on in those days was that, if the casting was rough or that, nobody seemed to bother because it was put into the hands of the engraver and he would remodel; anything that was missing he'd put it back in. You didn't have so much shrinkage as you would have in centrifugal casting. You almost got the same thing as you had, but with a lack of detail at the front. If the detail was in the front then you would have odd bits and pieces that didn't come up, but you'd have enough knowledge as an engraver to go and put that back in. And of course the time was - time was no object, you see? If the engraver spent half an hour re- touching the whole thing up, nobody worried'