Ùrachadh mu Dheireadh 21/03/2017
Google pluspinterestShare on Stumble UponShare on RedditFacebookShare on Tumblr
TIOTAL
Iain Friseal, Gobha Inbhir Nis (24 de 39)
EXTERNAL ID
GB1796_SINCLAIR_SILVERSMITH_24
ÀITE
Inbhir Nis
SIORRACHD/PARRAIST
INBHIR NIS: Inbhir Nis 's Am Bànath
LINN
1970an
CRUTHADAIR
John Fraser
NEACH-FIOSRACHAIDH
Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis
AITHNEACHADH MAOINE
2248
KEYWORDS
seudraidh
seudan
neach-ceàirde
luchd-ciùird
obair meatailt
gobhaichean-airgid
claistinneach

Get Adobe Flash player

Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.

Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' cuimhneachadh air stuth eile a dh'fhaodar a chleachdadh airson cumaidhean a dhèanamh. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal -bràiste ceannard Clann Mhic na Ceàrdaich leis an t-suaicheantas, 'Semper Credens'.

'The other thing that was used was cuttle fish bone; you could buy the cuttle fish, you know, from the suppliers. You could buy big pieces or small pieces. And, you did exactly the same thing: you'd two sections and you imbedded the pattern in one section and then made your sprue out, and your razors for the air and so forth, and you just poured it in the top.

The advantage of cuttle fish really was that if you were working in gold it would give you a much finer casting than sand. It all depended, some of the sand casters that were good could produce an excellent casting. But, if you had any doubts at all, and especially if it was a one-off, cuttle fish was the best thing. You'd put a piece of binding wire around it just to hold it, you know, and then when you got your silver melted just pour it in, or your gold, and the process was the same: you'd just cut the sprue off and then you dressed it up all round'

Airson stiùireadh mu bhith a’ cleachdadh ìomhaighean agus susbaint eile, faicibh duilleag ‘Na Cumhaichean air Fad.’
’S e companaidh cuibhrichte fo bharantas clàraichte ann an Alba Àir. SC407011 agus carthannas clàraichte Albannach Àir. SC042593 a th’ ann an High Life na Gàidhealtachd.
Powered by Capture

Iain Friseal, Gobha Inbhir Nis (24 de 39)

INBHIR NIS: Inbhir Nis 's Am Bànath

1970an

seudraidh; seudan; neach-ceàirde; luchd-ciùird; obair meatailt; gobhaichean-airgid;; claistinneach

Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis

Bill Sinclair Audio: John Fraser, Silversmith

Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.<br /> <br /> Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' cuimhneachadh air stuth eile a dh'fhaodar a chleachdadh airson cumaidhean a dhèanamh. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal -bràiste ceannard Clann Mhic na Ceàrdaich leis an t-suaicheantas, 'Semper Credens'.<br /> <br /> 'The other thing that was used was cuttle fish bone; you could buy the cuttle fish, you know, from the suppliers. You could buy big pieces or small pieces. And, you did exactly the same thing: you'd two sections and you imbedded the pattern in one section and then made your sprue out, and your razors for the air and so forth, and you just poured it in the top. <br /> <br /> The advantage of cuttle fish really was that if you were working in gold it would give you a much finer casting than sand. It all depended, some of the sand casters that were good could produce an excellent casting. But, if you had any doubts at all, and especially if it was a one-off, cuttle fish was the best thing. You'd put a piece of binding wire around it just to hold it, you know, and then when you got your silver melted just pour it in, or your gold, and the process was the same: you'd just cut the sprue off and then you dressed it up all round'