Ùrachadh mu Dheireadh 21/03/2017
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TIOTAL
Iain Friseal, Gobha Inbhir Nis (38 de 39)
EXTERNAL ID
GB1796_SINCLAIR_SILVERSMITH_38
ÀITE
Inbhir Nis
SIORRACHD/PARRAIST
INBHIR NIS: Inbhir Nis 's Am Bànath
LINN
1970an
CRUTHADAIR
John Fraser
NEACH-FIOSRACHAIDH
Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis
AITHNEACHADH MAOINE
2268
KEYWORDS
seudraidh
seudan
neach-ceàirde
luchd-ciùird
obair meatailt
gobhaichean-airgid
claistinneach

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Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.

Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' beachdachadh air mar a bha atharrachaidhean ann am modhan nan goibhnean airgid slaodach gus a bhith air an leasachadh. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal - broidse A' Mhonaidh Liath.

'If you look at modern methods in our trade today, you get bright diamond cutting, you get matt finishes, bark finishes - these are all modern methods that weren't in it in our day. It's not that they couldn't be done back in the thirties or before that time - there were probably people at that time that were experimenting, you know - and people like my boss and a lot of the other people in established jewellers' businesses at that time would just - it would be taboo, they wouldn't allow it into the workshop, they wouldn't allow it into the window to be sold. It was below their principle to do that. So anybody that was designing in that field, towards that type of work, would have been shunned, just like a leper, because there was a way of doing a thing, and it had never changed, and it had to stay that way. But then, you see, as these people died off, the ones that were left with any knowledge at all, they found they had to change, you know, because circumstances were changing round about them. So they had to develop new techniques'

Airson stiùireadh mu bhith a’ cleachdadh ìomhaighean agus susbaint eile, faicibh duilleag ‘Na Cumhaichean air Fad.’
’S e companaidh cuibhrichte fo bharantas clàraichte ann an Alba Àir. SC407011 agus carthannas clàraichte Albannach Àir. SC042593 a th’ ann an High Life na Gàidhealtachd.
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Iain Friseal, Gobha Inbhir Nis (38 de 39)

INBHIR NIS: Inbhir Nis 's Am Bànath

1970an

seudraidh; seudan; neach-ceàirde; luchd-ciùird; obair meatailt; gobhaichean-airgid; claistinneach

Taigh-tasgaidh is Gaileiridh Ealan Inbhir Nis

Bill Sinclair Audio: John Fraser, Silversmith

Dh'ionnsaich Iain Friseal, Gobha Airgid Inbhir Nis, a chiùird anns na 1930an aig Medlock and Craik, seudairean agus luchd-dèanamh uaireadairean aig 6 Sràid na Drochaid, Inbhir Nis. An dèidh làimhe, bha togalaichean aig a' chompanaidh ann an Exchange Place agus Geata na Bànrigh.<br /> <br /> Anns an earrann chlaistinn seo bho na 1970an, tha Mgr. Friseal a' beachdachadh air mar a bha atharrachaidhean ann am modhan nan goibhnean airgid slaodach gus a bhith air an leasachadh. Tha an dealbh seo, a chaidh a thoirt le Taigh-tasgaidh agus Gaileiridh Ealain Inbhir Nis (IMAG), a' sealltainn fear de na h-earrannan aig Iain Friseal - broidse A' Mhonaidh Liath.<br /> <br /> 'If you look at modern methods in our trade today, you get bright diamond cutting, you get matt finishes, bark finishes - these are all modern methods that weren't in it in our day. It's not that they couldn't be done back in the thirties or before that time - there were probably people at that time that were experimenting, you know - and people like my boss and a lot of the other people in established jewellers' businesses at that time would just - it would be taboo, they wouldn't allow it into the workshop, they wouldn't allow it into the window to be sold. It was below their principle to do that. So anybody that was designing in that field, towards that type of work, would have been shunned, just like a leper, because there was a way of doing a thing, and it had never changed, and it had to stay that way. But then, you see, as these people died off, the ones that were left with any knowledge at all, they found they had to change, you know, because circumstances were changing round about them. So they had to develop new techniques'